About

looks About

Connecting artists and listeners with novel tools for future music co-creation.

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Maar World is a record label for a new era of music listening and making. Currently developing new formats for music distribution of independent artists, merging physical and digital releases, music making and listening. Maar World strikes a balance between stakeholders, promoting sustainability and equitable revenue distribution. The project aims to safeguard wildlife, ensure fair recognition for artists, and facilitate a natural and intuitive approach to sound listening creation in order to reactivate auditory consciousness.

Founder

My name is π΅π“‡π“Šπ“ƒπ’Ά 𝑀𝒢𝒢𝓇 π’’π“Šπ’Άπ“‡π“ƒπ’Ύπ‘’π“‡π’Ύ π’žπ‘œπ“π’Άπ“ˆπ“ˆπ‘œ, I am a sound artist and engineer who works on transdisciplinary creations at the intersection of art, science, and technology. After studying Sound Design and Engineering in Montevideo and Santiago de Chile, I collaborated with sound and interaction design on many experiences including large-scale installations in America and Europe. Some highlights are the 2021 AI and Music S+T+ARTS Festival Hackathon award, the sound design of the Uruguayan Pavilion at the Venice Architecture Biennale 2021 and 2018 and the Uruguayan and Chilean Pavilion at the Milan Expo 2015, I was also lead developer in the artist-run initiatives Head Brothers, Exoplanetas and Aventures Sonores. For more than a decade, I have been assembling a unique archive of soundscapes, poetry, testimonies, native South American chants, radio signals, and a selection of eclectic music to create experiences that connect people and cultures through sound.


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When we manage to free ourselves from the dominance of the visual-analytical world and replace it with intuition and sensation, we begin to rediscover the true tuning of the world and the exquisite harmony of all its voices. We will find the center. Then the whole body will become an ear and all sounds will come to you, the known and the unknown, the sweet, the sad and the urgent. When my body lies in bed white and blue at night, all sounds come to me from their own chord, unhurried, strangely mixed, the slightly tonal and the soft creaks of the mountains. At that moment, to hear is to be on high alert… and I hear songs in front of me… when I go beyond β€œto the country that loves silence”.

R. Murray Schafer: Voices of Tyranny, Temples of Silence